Tag Archives: grown woman

Bill O’Reilly on Beyonce: He’s an idiot

I usually try to ignore the comments of folks who troll for a living. Especially if those folks are also narcissistic ego-maniacal assholes on Fox.

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Be forewarned, his own sense of self importance will induce vomiting.  Any how, he is taking a shot at Beyonce and I can’t just stand by because his whole viewpoint is one that silences female sexuality and locates the source of a problem he claims to be concerned about in the wrong place.

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Bill takes particular issue with the song Partition, which describes a consensual sex romp in a limo. With her husband. It’s hot. But Bill thinks that this grown woman expressing her sexual self in the context of a monogamous relationship is part of the problem young black women face. He even got into an argument with Russel Simmons about it (seriously?) He thinks she is to blame for the teen pregnancy epidemic, and he’s at it again claiming that she doesn’t care about young black women.

She knows, this woman knows that young girls getting pregnant in the African-American community now, it’s about 70% out of wedlock. She knows, and doesn’t seem to care… that’s my problem with her.

Hm, I wonder if Bill has considered actually asking her about how she feels about this issue… nah, making assumptions is better for rating. FYI, teen pregnancy rates are actually on the decline, although racial disparity does still exist. He also mentions that young people with out parents are particularly at risk when exposed to the content of her music and videos.

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Let me start with the obvious: artists do not have a responsibility to raise anyone’s kids. Absent parents cause their kids to be vulnerable to outside influences, not pop stars. She made an album that was true to herself and where she is in her life: she is a WOMAN, over 30, married and a mother. Many have pointed out that she is pop cultures biggest advertisement for marriage, and that is certainly true. But the fact that she is married and still criticized for being too sexual is extremely telling. Because what it really means it that no woman, anywhere, at any time in her life, is allowed to be in control of and vocal about her sexuality. The virgin/whore dichotomy is in full effect. Bill claims there is nothing empowering happening here, but he is both ignorant and not listening. First of all, how the fuck would he know what is empowering to young women? He’s so personally involved in the lives of young black girls that he can speak for them?

doubt it.
doubt it.

But his focus on this one song/video, the most sexual on the album arguably, are very telling. He is reducing her work as an artist to this one aspect of her expression, when in fact there are other less sexualized elements that are also deeply empowering for her fans. Like featuring a prominent Nigerian/author feminist on her track (***Flawless). Or writing songs that laud female empowerment outright(Grown Woman/Who Run the World).

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All of this nonsense is meant to distract us from one important fact: the teen pregnancy epidemic actually has nothing to do with Beyonce. It’s about access, to education and health care. And young black girls don’t have a lot of access to either. In fact, if Bill and his friends had their way, no young women would. Beyonce and her hubby just announced a summer tour, and $1 from every ticket sold is going to his foundation to help underprivileged kids access higher education. What is Bill doing for the youth? Particularly the young black females he is claiming to care so much about?

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Yonce hasn’t responded to Bill. And why would she? She is aware of the reach and impact that she has. She is aware that as a black woman this kind of criticism is going to be leveled at her. She went ahead and made her record anyway, on her own terms and with her own take no prisoners release plan. She explored her personal, intimate relationships, knowing that women will always be criticized when their sexuality is deemed as threatening. Bill’s comments show a fundamental denial to acknowledge how culture is actually working, and at it’s heart it’s misogynist and mean. Which isn’t surprising. I just can’t stand by and let people hate on Bey! This album is, still, everything.

 

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